David Fincher's #Mank is phenomenal. Everything from the brilliant sound design to the amazing performances makes it one of the best films of 2020. Cinephiles are going to LOVE this movie. pic.twitter.com/WmmAvgIJGJ
— Steven Weintraub (@colliderfrosty) October 30, 2020
MANK: Exceptional craftsmanship and a strong turn from Amanda Seyfried, but also an obsession with picking and choosing historical bits that will likely rankle the very cinephiles it was ostensibly made for, plus more Upton Sinclair chatter than anyone would ever, EVER need.
— Kate Erbland (@katerbland) October 30, 2020
People always talk about Fincher's technical genius but he also has a way with actors. MANK is Gary Oldman's film but every role is perfectly cast and maybe Amanda Seyfried will get the attention she deserves. Tom Pelphrey and Lily Collins also make the most of their screen time. https://t.co/uoCbJaLvLw
— Jen-see-you-in-hell Riley (@jenelleriley) October 30, 2020
On paper, David Fincher’s MANK is a movie I *should* love, but instead just admire. Incredibly well crafted, shot, acted. But the story left me cold. I now know more about Mank’s feelings toward the 1934 California gubernatorial race than I do his feelings toward Orson Welles.
— Mike Ryan (@mikeryan) October 30, 2020
#MANK is beautifully shot. Erik Messerschmidt's cinematography is exquisitely lush and Trish Summerville's costumes are fantastic. This is a craft-feast, and that score by Trent Reznor and Atticus Ross is glorious. #MANK is exquisitely crafted and a visual delight. #OSCARS pic.twitter.com/h0FQOdFyyd
— Jazz Tangcay (@jazzt) October 30, 2020
